I was invited recently to speak at a TEDx event in Sao Paulo, Brazil. Someone in Brazil had seen the trailer for Opening Our Eyes and wanted me to come to this event and talk about the subjects in our film.  I’ve been thinking about this a lot lately, and the  commonalities amongst the people in our film; they all think beyond themselves and consider how their actions will or won’t affect others.  In return of course, they are all richly rewarded.

There isn’t a day that I don’t think about Ronni Kahn’s words “don’t do it for the money….. or for the recognition…….do it for the sake of doing.”  Every one of our subjects lives their lives this way.  At a time when the prevailing attitude seems to be “what’s in it for me?” these people have put their egos aside and are “doing for the sake of doing”.  That is why so many of our subjects tended to shy away from the camera and the limelight, but were eager to tell their stories in order to help their causes.

Let’s face it, in a culture of “packaging and fizz”, it’s hard to sort through all the noise and pick out authenticity.  Even that word itself  “authenticity” has been over used and has lost its meaning. But we can all spot “the real deal” when we see it.  Just like knowing who your real friends are – you just know.

So, I think the only way to talk about the subjects of our film, in just 18 minutes, is to point out that they are no different than you or me – they are just ordinary people who think beyond themselves.  They are doing what they feel is the right thing to do and are staying close to their convictions and beliefs. They believe in the impossible and have a can do attitude. They are “walkin’ the walk”, not just talking. They take one step at a time in pursuing their dreams.

Yesterday as I was packing my gear for an upcoming three week trip to New Zealand, I had a major flashback to when I was getting ready for a 99-day trip around the world. My daughter, Erin and I had embarked on that journey about a year and a half ago.  But this time, I was going solo.

I looked at all the gear laid out on the dining room table, just as I did last year, wondering how I would fit it into one small backpack. I will strip it down of course, taking only the gear that I can manage by myself.  For the most part, I will be traveling solo this time. It got me thinking about the round-the-world trip that I took last year with Erin.

I’ve spent the better part of my life traveling the world and taking pictures. Most of those years, I was a solo act, on assignment for various magazines and corporations.  Last year, when Erin heard that I would be circling the globe, she wanted to come along. Initially, I hadn’t imagined the trip or the project as a collaborative effort – let alone with my daughter.  She had recently graduated from Northwestern University in Chicago and had been lucky enough to get a job. But Erin wanted to be part of this project and journey and so it became a combined effort – a mother-daughter team.

That ended up being the best part about the trip– sharing that experience with my daughter. We’ll have that bond for a lifetime.  And now, I couldn’t have imagined doing that journey any other way.

Since then, there have been countless hours/days/weeks/months that have gone into the post-production part of the film, leaving the “journey” a collection of water colored memories floating in my head. I’ve remained closely connected to the project because I’ve been very hands-on with the edit. So for me, those memories remain part of my daily psyche.  In that regard, the making of the film has been a bit bittersweet as I am reminded daily – that part of the journey is over.

We’ll always have those beautiful memories burned inside our heads. More importantly, we have a film that can be shared with others around the world, in the hopes that it will provoke thought and maybe even move people to action – to make a difference.

Please share this film.  That’s the only way it will happen.

It wasn’t at all like I imagined it would be – it was so much better.

I met singer/songwriter Jackson Browne  last night,

Gail Mooney and Jackson Browne, Wellmont Theater, Montclair, NJ

after seeing his concert in Montclair, NJ. The show on its own was amazing. Jackson  did an acoustic set,  his 17 guitars lined up behind him, a keyboard and a solo chair, all perfectly positioned on stage. He doesn’t use a play list for  his acoustic shows – he simply picks out a guitar and plays the song that he associates with that particular instrument. It can get a bit rowdy with the audience shouting out titles for him to play, but Jackson is more free-form and picks up on the vibe of the audience. His performance last night was incredible – he sounded great and his audio mix was outstanding.

So, why am I writing about Jackson Browne and what does he have to do with Opening Our Eyes? Many of you know the answer to that question but for those who don’t, I’ll explain briefly. I’ve been a big fan of Jackson’s music for over 30 years. I also admire him for his social activism and his efforts (as well as his wife Dianna Cohen) in making a difference in the world. Jackson does countless benefit concerts for various causes and Dianna is founder of the Plastic Pollution Coalition, a movement to get people away from “one use” plastic products – water bottles, shopping bags etc. So, both Jackson and Dianna personified what this film is about.

When I was struggling to find a title for the film, I was listening to Jackson’s music one day while on the treadmill. One of his songs, Alive in the World really resonated with me – it was almost like it had been written for the film, but at that point in time, I was far from even envisioning this project as a film – I was still in the planning stages of the trip. There’s a stanza in the song that goes:

“To open my eyes
And wake up alive in the world
To open my eyes
And finally arrive in the world”

….and I thought – “yeah, that’s it – Opening Our Eyes.”

I started manifesting in my mind that if Jackson became aware of our project, he would give his permission to use his song in our film. Long story short, this project has had many “angels” behind it and one very dear angel, Angel Burns – made this happen. Angel got Jackson and Dianna to watch the trailer of the film and he granted us permission to use it in the film. We can’t release it (yet) on DVD with his music, but we do have permission for community screenings and film festivals with the option to “re-negotiate in good faith” if the film gets picked up for distribution. If that’s not motivation to find distribution – what is?

In communicating with Jackson’s assistant, I mentioned that my husband and I had tickets to his upcoming show in New Jersey in October. I relayed to her that I would love to personally thank Jackson and hand him a copy of the finished film. She wrote back saying that she would set up AS (After Show) passes for us to pick up at Will Call.

That was a couple of months ago and I’ve been thinking about what I would say to Jackson, ever since. I wanted to make sure I thanked him of course and I wanted to tell him how meaningful it was for me to have his beautiful song as part of our film. I also wanted to tell him that Dianna had totally changed my thinking as to how I packaged the DVD’s. Rather than use a conventional “plastic” DVD case, I decided to package the DVD in simple cardboard slip jackets. And lastly, I wanted to give him a copy of a DVD I had made over ten years ago, The Delta Blues Musicians. It was basic and pretty crude because it was the first video piece that I had ever created, but I somehow knew that Jackson would appreciate. It was the stories of seven Mississippi bluesmen – all gone now but one.

So, back to last night. I was on such a high after Jackson’s performance. I was feeling so full – full of life – full of love – full of everything good. We had been told at Will Call when we picked up our passes, to gather at the front of the theater and that someone would escort us backstage to meet Jackson. I saw a crowd of people gathered there, and I figured that we would be shuffled through a “meet and greet” type of thing. Then one staff guy spotted my pass and looked at me and said “Gail?” When I responded with a “yes” (after a bit of a delay – I was totally surprised that Jackson would be expecting “me”) he told me “I’m John – c’mon.” So, John, Tom and I and one other couple headed up the back stairs to Jackson’s dressing room. John left us outside a door marked “Jackson Browne” and told us to wait a bit and that Jackson would come out in a minute.

After a few minutes, Jackson walked out the door. I hesitated, waiting until the other couple said their hellos and left, and then I introduced myself. He said, (in the nicest possible way) “so, I can’t wait to see the rest of the movie” and right on cue I handed him a copy of the DVD in the awesome packaging that digital artist Allan Davey  had created. Allan is another angel who has become part of our project and that in itself has made an extraordinary difference in how this film is being received. Jackson remarked on how beautiful the packaging design and artwork was – I thanked him and handed him another copy to give to Dianna. I told him that Dianna had totally changed my thinking in terms of the packaging and had influenced my decision  NOT to use plastic DVD cases. Jackson looked at me and pointed to his arm and said “goose bumps”.

There was one last thing I wanted to do and that was to give Jackson that old copy of my “blues” DVD. I told him that I should be embarrassed to give him something that was so basic and a bit crude – and that it was the first video that I ever created. I’ve come a long way since then – and so has technology. But I told him that I thought he would appreciate it because of the interviews that I had captured of all those old blues cats. I told Jackson that my interest in making that video, wasn’t so much about the music as it was about that time and that place in America that gave birth to that music. Once again, he rubbed his arm and said “goose bumps”. I know that Jackson will enjoy that video for what it is and for the stories that I captured. I told him that I had hours of interview footage of those old blues artists – and he thanked me and remarked about the importance of documenting those stories and recordings. I don’t know why I thought to give Jackson that DVD, but at that moment in time, it seemed liked all the dots became connected – like everything I’ve been doing over the last ten years was somehow related.

I apologize for such a long post, in a way I write this for myself – so that I will remember every detail. In all the anticipation that led up to last night – I thought it would feel like the end of a chapter. But instead, all day yesterday, I had this feeling that it was really just the beginning.

Thank you Jackson and thanks to every one of our angels and supporters. We can all do this together. We can make this world what we want it to be.

I woke up in kind of a funk.  I watched the news and I instantly felt worse.  Everybody was pointing their finger at one another and they all needed to be right.

What a difference a year makes. Last year at this time, I had just come home after being out of the country for almost four months.  I had never felt better in my life, both in body and in spirit.  I had been following my heart and I had been on” purpose ” I had spent the entire past summer with people who were making our world a better place.  They were inspirational  and they all had one thing in common.  They were exactly where they wanted to be – in both body and soul.

Every now and I need to remind myself of the state of mind I was in after returning from that journey. I start thinking about all the ways that I can make a difference – even if it’s just a small act.  Its those small acts that

Maggie Doyne and Biscal, Kopila Valley Children's Home, Nepal

make big differences in people’s lives.

Robbin Moulds, a subject in our film said: “At 211 degrees water is hot.  At 212 it boils.  That’s a  one degree difference.  I say to people – what’s a one degree difference you can make?”

• 1.  Call someone you haven’t spoken to in a while.  You’ll make them feel good – I guarantee.  Don’t put it off – you may not get the chance again.
• 2.  Take someone else’s call.  Call waiting can be cruel sometimes and it makes it easy for people to avoid and ignore.  Would it be so horrible to have to listen to someone for a few minutes?  Ignoring someone is the worst thing you can possibly do.
• 3.  Say something nice to someone  that you don’t really care for.  Surely you can find something nice to say.
• 4.  Don’t always try to be right.  It’s a lonely path to be on.
• 5.  Help a child with their homework or teach them one of your passions.
• 6.  Read to someone – a child, an older person, someone who needs help with English.
• 7.  Pick up a piece of litter that someone else has discarded.
• 8. Write a note or a letter to someone.  I treasure every hand written note that I get in the mail these days.  They are rare meaningful gems.
• 9.  Don’t judge someone by how they look.  Get past the clothes and adornments – the hair – the size and have a chat with someone you normally wouldn’t talk to if you judged them by their “cover.”
• 10.  Make amends with someone you’ve had a falling out with. I try to patch things up if friendships get off track.  I treasure the relationships I have with people and I don’t take them for granted.

Live in the now and as Steve Jobs said:  Stay hungry. Stay foolish.

When I formed this idea, almost two years ago, I would not have believed then that I would still be working on this project now. Not only am I still working on it, but it has taken on a life of its own. In fact, we have  a new tagline, which aptly describes what this project has become:

It’s not just a Move – It’s a Movement

With that said, we have decided to launch another funding cycle, through Indiegogo. This time, we have more than just an idea and a lot of uncut footage – we have a finished movie and a movie that’s getting rave reviews.

Today is the start of our 99-day cycle of fundraising.  Why 99 days?  Well, for starters, our journey around the world took 99 days to complete the circle.  And, in 99 days, it’s Erin’s birthday – her 25th.  I was 25 years old when I decided to pursue the path I’m on as a photojournalist, instead of following a more lucrative profession.  I had gone to see Jay Maisel, a legendary New York photographer, known for his bluntness.  After making a lot of excuses of why I wasn’t going to follow my heart and become a photojournalist he looked me straight in the eye and said “You’re 25 years old and you’re already making compromises?”  It was a turning point in my life.

The post-production on the film was completed in July.

Opening Our Eyes Sneak Preview, Traverse City, MI

Since that time, I’ve spent countless hours submitting it to film festivals and trying to create awareness for the film. What’s the point of making something like this if it is not seen by as many people as possible? Our goal is simple and that is to get this movie “out there” by whatever means we can so that we can really make a difference with it.

A comment from an audience member at our sneak preview in Traverse City said:

“I just want to thank you for making this movie and let you know that you
have definitely succeeded in inspiring people. I’ve had a {sic} paradigm
shift after seeing this movie. I think you two should count yourself among
the inspirational heroes for bringing these stories to a larger audience.”

And at our sneak preview in Detroit, Oscar recipient, Pamela Conn who won for
“ best short documentary” stated:

“ I would just like to say that that’s the first thing I thought of was that
it’s obvious that this should be submitted for an Oscar. Absolutely this
is Oscar worthy.”

We have created something of value – a value that goes beyond dollars and cents. But to give this thing legs, we will need “dollars and cents” to take it the next steps. It takes money for festival submissions, PR and marketing and theatrical screenings. In fact Jon Reiss, the DIY of the indie film world says that a filmmaker should allocate half of their budget for PR and marketing – or your film will fall into oblivion.

This money won’t go into my pocket.  In fact, even creating this movie on a shoe string budget made up of airline miles and trades for services has exhausted my savings, not to mention taken me away from my business.  But, something is pushing me to do this.  If we can get this movie “on the map” then everyone wins, especially all the change makers that this movie is about.

Please help us with this movement. Contribute if you can or simply pass along this link to others. We all can play a part in making our world a better place.

As Marian Kramer, a subject in our film says “We all have to shine each other up.”

Today, I’m reflecting on the many wonderful comments people have relayed since watching our film.  I’d like to share a few of the remarks that some folks have made, not to stroke my ego, but rather to express how meaningful these comments are to us.  They reaffirm in our minds that perhaps in some small way, we too have made a difference by making this film – and that is all I ever hoped for.

Thank you all for sharing your thoughts – they are very much appreciated.

“It was awesome – just awesome”

“I just want to thank you for making this movie and let you know that you have definitely succeeded in inspiring people.  I’ve had a small paradigm shift after seeing this movie.  I think you two should count yourself among the inspirational heroes for bringing these stories to a larger audience.”

“ I would just like to say that that’s the first thing I thought of was that it’s obvious that this should be submitted for an Oscar.  Absolutely this is Oscar worthy.”
Pamela Conn – Oscar winner for Best Short Documentary (Young at Heart)

“Your film is a celebration of something that I’ve always believed in – there are daily miracles. People always look for a burning bush or something special.  Miracles are a daily occurrence of thank yous.”

And one of my favorites –  R rated 🙂
“Thank you.
Absafuhkinglutely love what you and Erin created…
Truly inspirational.
Watched it with my inspiration, my 15-year old daughter.  It was a quiet room with no dry eyes. We are still talking about it.”

It just hit me this morning that we have completed this film.  I cried because I was happy, we had done it.  I cried because it was finished.  I was sad the journey was over – but is it?

Yesterday, I hand delivered the first DVD to someone in the “business” who could really help me as I face the next step – getting the film “out there”.  That’s the hard part – coming up with a plan to give this film legs.  What would have been the point of my daughter and I traveling all around the world, creating a film about people making a difference that could motivate others to action – if people don’t see it?

I know I have a lot of hard work ahead of me, sending DVD’s to film festivals, outreach directors and potential distributors.  I will be networking with everyone I know as far as making the rights connections with people who can help us get our film out there so that we can achieve what we set out to do- turn this film into a ground swell of action.

Here are some thoughts of what we’d like to do with this film.  Start thinking about people you know who could help us realize these goals.

•    Submit to film festivals to create awareness and publicity for the film.  Festivals are very competitive but I believe our film is a strong contender.  If the film is selected for a festival, then we will want to find a sponsor and make an event out of it and/or have a “premiere screening” in that city to coincide with the festival. It’s a cost effective way to do a premiere and the audience is already there.

•    Have community screenings that would be “move to action” events.  This could take place in a variety of venues, from schools to churches, with the filmmakers present or not.  It could be a community fundraiser, centered on the screening of the film.  Generally, filmmakers hire outreach directors or bookers to find these venues and matches. This can be a win/win where the filmmakers have a chance to recoup their costs and the community raises money for their cause.  In our case, we can also structure it so that our subjects’ causes receive a percentage.

•    Have screenings at universities.  This is something that I would love to do – show the film with a Q&A to students.  The film could really make an impact with young people who are just starting out in life.  If anyone knows people who book college activities – let me know.

•    Theatrical screenings.  This takes money.  But it can lead to rewards – including the academy awards.  My executive Angel Burns is confident we can do this.  Essentially, there needs to be theatrical bookings in LA and NYC, well publicized with mandated advertising in the NY and LA newspapers.  We may need to do another fundraiser ourselves or find a sponsor to make this happen.

•    Broadcast.  Maybe the best way to get eyeballs on it.  Anyone with contacts at OWN (Oprah’s network), Oxygen or Lifetime – viable candidates for this documentary or even a TV docu reality series?  Imagine how refreshing that would be to see on TV – a series about people making a positive difference in the world – instead of watching yet again another show about the worst in human nature.

This film has had an amazing effect on our lives.  We’ve traveled the world, seen our name in lights on a theater marquee and met extraordinary people along the way.  In fact it seems like we are like magnets, attracting just the right people into our lives at just the right time. First of all we “found” all our amazing subjects who brought tremendous value to our lives – we learned so much from them. We found our executive producer, Angel Burns – or shall I say, she found me when I spoke in LA at a “photocine” event about creating a documentary with no money. I found the perfect editor, Erik Freeland who brought his wonderful vision to this film and made us look good, and Maria Grillo, a graphic designer in Chicago who designed our logo and overall look. I have another friend, Ally Raye who put together a great “deck” and “sizzle” for a TV pitch for me.  I can’t even imagine what life was like before these people came into my life.  This film just seems to have some inexplicable power of connecting people.

If you know anyone who is good with marketing and PR, or works in broadcast or knows a sponsor who would be a perfect match and could infuse some financial support to this project, please let us know.

Like one of our subjects, Marian Kramer said, “We’ve got to shine each other up”.

I’m anxiously waiting to see a rough cut from my editor Erik Freeland of Springhouse Films. Maybe “anxious” isn’t the right word because it kind of implies that I’m nervous when I’ve not at all. Erik and I have had conversations that confirm in my mind I picked the best editor for this film. It’s the little things he’s said – the comments he’s made about sound bites etc. that affirm in my mind that he understands the story to be told.

I’ve also been kicking around different titles – other than Opening Our Eyes. I’ve contemplated changing the title to the Power of One but I’ve decided against it.

Getting a "little help from our friends".

The reason is, even though each and every one of my subjects is an extraordinary individual, they would all tell you that they aren’t alone in their efforts. Every one has support in some form or another. They could be financial supporters, staff people on their foundations, volunteers, or family and friends that are always there for them.

I know I could never have done this without the support and encouragement of others. When I first thought of this undertaking, I thought I would do it solo. It never would have occurred to me to involve my daughter because she had left the nest, taken up roots in another city and started her own life. Now looking back, I know that I could not have done this without her. And of course, I could have never pulled this off without all the back support from my husband.

I have been blessed to be in a position to work with a great editor. I have been blessed to have incredible friends who have helped me with their feedback on the trailer, the music I chose, the still images I’ve selected and how I phrase things in my written correspondence. A true collaboration of spirits. This past week, I’ve been particularly blessed by the help of two very good friends. I won’t give you the details just yet – because I don’t want to jinx what we’ve been working on. I have grown so much with the help of these special people because I’ve opened my mind up to their suggestions. They may critique my approach at times, but they know they can do that without offending – because I’m eager to learn.

Most of all, I’m grateful to all of you and all my “backers”. Just knowing that there were people out there following our journey and cheering us on – gave us the strength to carry on. You all are the best and I thank you for sticking with us. If we’ve been quiet on the blogging site – it’s because we’ve been really busy taking this to the next step and that is getting this film “out there”. That’s when the magic will really happen and I want all of you to know – it could have never happened without you.

In the words of Marian Kramer “We’ve got to shine each other up.”

Last Wednesday I spent the day with Maggie Doyne, a family friend, neighbor and subject of our film Opening Our Eyes. We spent the afternoon looking at hours of footage that we shot when we visited Maggie and her children in Nepal last summer.

It was a wonderful afternoon,

Gail and Maggie in Mendham,NJ

we talked, we looked at the footage that I hadn’t seen in awhile and we had a nice simple lunch. Being with Maggie is like getting a shot of goodness and it brought back a lot of nice memories of the journey that Erin and I took last summer.

It’s hard to believe that next month it will be a year since we left on our global journey. There are days that the trip is so fresh in my mind and others when it seems like a distant memory. I am still so hands on with the project – editing but for Erin it must seem like it happened in another lifetime.

Maggie said something that really rang true. As she watched the interview and other footage that we shot of her at the Kopila Valley Children’s Home and School she remarked how far she and all the people at Kopila Children’s Home had come since then. When we were there shooting, the school was still under construction even though classes had already begun. And the new kitchen hadn’t been finished yet either. Now both are completed and used on a daily basis.

I thought about how I had been feeling this past winter as I spent 14 hours a day, every day in the editing room for two months solid and I couldn’t see an end in sight to this film becoming a reality. But now it’s in the hands of a great editor with a due date to be completed late next month. When we started our journey almost a year ago, I never imagined that I would still be so entrenched with this project a year later. But then I look back from where I came and I can see how far I’ve come. I needed to be reminded to look back every now and then and observe from that perspective.

Thanks Maggie once again for your inspiration.