I was invited recently to speak at a TEDx event in Sao Paulo, Brazil. Someone in Brazil had seen the trailer for Opening Our Eyes and wanted me to come to this event and talk about the subjects in our film.  I’ve been thinking about this a lot lately, and the  commonalities amongst the people in our film; they all think beyond themselves and consider how their actions will or won’t affect others.  In return of course, they are all richly rewarded.

There isn’t a day that I don’t think about Ronni Kahn’s words “don’t do it for the money….. or for the recognition…….do it for the sake of doing.”  Every one of our subjects lives their lives this way.  At a time when the prevailing attitude seems to be “what’s in it for me?” these people have put their egos aside and are “doing for the sake of doing”.  That is why so many of our subjects tended to shy away from the camera and the limelight, but were eager to tell their stories in order to help their causes.

Let’s face it, in a culture of “packaging and fizz”, it’s hard to sort through all the noise and pick out authenticity.  Even that word itself  “authenticity” has been over used and has lost its meaning. But we can all spot “the real deal” when we see it.  Just like knowing who your real friends are – you just know.

So, I think the only way to talk about the subjects of our film, in just 18 minutes, is to point out that they are no different than you or me – they are just ordinary people who think beyond themselves.  They are doing what they feel is the right thing to do and are staying close to their convictions and beliefs. They believe in the impossible and have a can do attitude. They are “walkin’ the walk”, not just talking. They take one step at a time in pursuing their dreams.

A week or so ago I left for New Zealand – a long haul from the US. I was headed to the SATW (Society of American Travel Writers) convention in Wellington. As I boarded the first leg from EWR to LAX, I felt like I was missing something. I kept doing a mental checklist in my mind – cameras, passport, wallet etc. etc. but something didn’t feel right – it felt like something was missing. I realized that what was missing was my daughter Erin.

It felt odd to be heading to this amazing destination without her. She had been like my right arm on our 99-day journey around the world last summer and I felt oddly alone. I have spent the better part of my life, traveling to all four corners of the globe as a solo act so to suddenly feel alone, after all those years of independent travel was unexpected.

Today it really hit me, just how profound that experience had been. Not only had it been the ultimate travel experience that I was fortunate enough to have shared with my daughter – but I realized that it had changed my life in many ways. Perhaps the biggest change in my life had been a change in my attitude – in more ways than one.

An hour ago, I was the recipient of the Bronze award for Travel Photographer of the Year by SATW. I was humbled and very appreciative to be receiving this award. A year ago, I probably would have felt differently. In fact, I may have looked at it with some misgivings to NOT having won the Gold award as opposed to being appreciative of winning the Bronze.

After spending a summer with remarkable people who were doing extraordinary things that were making a positive difference in the world, I have a totally different outlook. One of our subjects Ronni Kahn of Oz Harvest in Sydney, Australia remarked “Don’t do it for the money or for the recognition – but just do it for the sake of doing.” A simple thought really, but one that comes with deep consequences.

We live in a culture in America where we often overlook that life’s real rewards aren’t necessarily in winning, but being content with the journey and the rewards that come with that. It took me a lifetime to figure that out. I know now that beating out someone else for the top prize isn’t what makes me a winner and in fact that someone else doesn’t have to lose in order for me to win. As much as I feel grateful for the recognition from my peers – my biggest reward was really a journey well traveled.

One doesn’t need to leave their country or even their home town to realize a journey well traveled – they simply just need to live their life the best way they know how and that’s different for each and every one of us.

It wasn’t at all like I imagined it would be – it was so much better.

I met singer/songwriter Jackson Browne  last night,

Gail Mooney and Jackson Browne, Wellmont Theater, Montclair, NJ

after seeing his concert in Montclair, NJ. The show on its own was amazing. Jackson  did an acoustic set,  his 17 guitars lined up behind him, a keyboard and a solo chair, all perfectly positioned on stage. He doesn’t use a play list for  his acoustic shows – he simply picks out a guitar and plays the song that he associates with that particular instrument. It can get a bit rowdy with the audience shouting out titles for him to play, but Jackson is more free-form and picks up on the vibe of the audience. His performance last night was incredible – he sounded great and his audio mix was outstanding.

So, why am I writing about Jackson Browne and what does he have to do with Opening Our Eyes? Many of you know the answer to that question but for those who don’t, I’ll explain briefly. I’ve been a big fan of Jackson’s music for over 30 years. I also admire him for his social activism and his efforts (as well as his wife Dianna Cohen) in making a difference in the world. Jackson does countless benefit concerts for various causes and Dianna is founder of the Plastic Pollution Coalition, a movement to get people away from “one use” plastic products – water bottles, shopping bags etc. So, both Jackson and Dianna personified what this film is about.

When I was struggling to find a title for the film, I was listening to Jackson’s music one day while on the treadmill. One of his songs, Alive in the World really resonated with me – it was almost like it had been written for the film, but at that point in time, I was far from even envisioning this project as a film – I was still in the planning stages of the trip. There’s a stanza in the song that goes:

“To open my eyes
And wake up alive in the world
To open my eyes
And finally arrive in the world”

….and I thought – “yeah, that’s it – Opening Our Eyes.”

I started manifesting in my mind that if Jackson became aware of our project, he would give his permission to use his song in our film. Long story short, this project has had many “angels” behind it and one very dear angel, Angel Burns – made this happen. Angel got Jackson and Dianna to watch the trailer of the film and he granted us permission to use it in the film. We can’t release it (yet) on DVD with his music, but we do have permission for community screenings and film festivals with the option to “re-negotiate in good faith” if the film gets picked up for distribution. If that’s not motivation to find distribution – what is?

In communicating with Jackson’s assistant, I mentioned that my husband and I had tickets to his upcoming show in New Jersey in October. I relayed to her that I would love to personally thank Jackson and hand him a copy of the finished film. She wrote back saying that she would set up AS (After Show) passes for us to pick up at Will Call.

That was a couple of months ago and I’ve been thinking about what I would say to Jackson, ever since. I wanted to make sure I thanked him of course and I wanted to tell him how meaningful it was for me to have his beautiful song as part of our film. I also wanted to tell him that Dianna had totally changed my thinking as to how I packaged the DVD’s. Rather than use a conventional “plastic” DVD case, I decided to package the DVD in simple cardboard slip jackets. And lastly, I wanted to give him a copy of a DVD I had made over ten years ago, The Delta Blues Musicians. It was basic and pretty crude because it was the first video piece that I had ever created, but I somehow knew that Jackson would appreciate. It was the stories of seven Mississippi bluesmen – all gone now but one.

So, back to last night. I was on such a high after Jackson’s performance. I was feeling so full – full of life – full of love – full of everything good. We had been told at Will Call when we picked up our passes, to gather at the front of the theater and that someone would escort us backstage to meet Jackson. I saw a crowd of people gathered there, and I figured that we would be shuffled through a “meet and greet” type of thing. Then one staff guy spotted my pass and looked at me and said “Gail?” When I responded with a “yes” (after a bit of a delay – I was totally surprised that Jackson would be expecting “me”) he told me “I’m John – c’mon.” So, John, Tom and I and one other couple headed up the back stairs to Jackson’s dressing room. John left us outside a door marked “Jackson Browne” and told us to wait a bit and that Jackson would come out in a minute.

After a few minutes, Jackson walked out the door. I hesitated, waiting until the other couple said their hellos and left, and then I introduced myself. He said, (in the nicest possible way) “so, I can’t wait to see the rest of the movie” and right on cue I handed him a copy of the DVD in the awesome packaging that digital artist Allan Davey  had created. Allan is another angel who has become part of our project and that in itself has made an extraordinary difference in how this film is being received. Jackson remarked on how beautiful the packaging design and artwork was – I thanked him and handed him another copy to give to Dianna. I told him that Dianna had totally changed my thinking in terms of the packaging and had influenced my decision  NOT to use plastic DVD cases. Jackson looked at me and pointed to his arm and said “goose bumps”.

There was one last thing I wanted to do and that was to give Jackson that old copy of my “blues” DVD. I told him that I should be embarrassed to give him something that was so basic and a bit crude – and that it was the first video that I ever created. I’ve come a long way since then – and so has technology. But I told him that I thought he would appreciate it because of the interviews that I had captured of all those old blues cats. I told Jackson that my interest in making that video, wasn’t so much about the music as it was about that time and that place in America that gave birth to that music. Once again, he rubbed his arm and said “goose bumps”. I know that Jackson will enjoy that video for what it is and for the stories that I captured. I told him that I had hours of interview footage of those old blues artists – and he thanked me and remarked about the importance of documenting those stories and recordings. I don’t know why I thought to give Jackson that DVD, but at that moment in time, it seemed liked all the dots became connected – like everything I’ve been doing over the last ten years was somehow related.

I apologize for such a long post, in a way I write this for myself – so that I will remember every detail. In all the anticipation that led up to last night – I thought it would feel like the end of a chapter. But instead, all day yesterday, I had this feeling that it was really just the beginning.

Thank you Jackson and thanks to every one of our angels and supporters. We can all do this together. We can make this world what we want it to be.

This is more of an announcement or unveiling as opposed to a blog.  Drum roll please – our new “one sheet” or commonly referred to as movie poster.

Opening Our Eyes - The Poster

I was extremely fortunate to have digital artist Allan Davey create the poster.  I am simply amazed by Allan’s talents.  Most of you have probably seen Allan’s work on many book covers.

Like so many other serendipitous things that have happened since embarking on this project, Allan came into my life and wanted to be a part of what we are doing with this film. He wanted to contribute and indeed he did.  I am in awe of Allan’s talents and am very grateful for his beautiful artwork.

Please  contribute to our campaign on IndieGoGo and pass the link along to your friends.  You’ll be helping us to grow this movement and create a shift in our culture about what we can do for others.

Plus it’s good karma.

Sam Carr, Lula, MS

I was preparing a print today to send off to the YPA for their upcoming auction and fundraiser. It was a portrait of blues drummer Sam Carr and it had recently been on exhibit in the Senate building Rotunda. The photograph was part of a personal project that I had embarked on over ten years ago: The Delta Bluesmen. The project consisted of environmental still portraits of the musicians as well as interviews of them that I had captured on video. This resulted in a short documentary and multimedia exhibition.

I thought that it would be nice to include the DVD of the documentary as part of what I was offering for auction.  While making sure that the DVD played OK, I got sucked into watching the full 20-minute piece.  It had been a long time since I had watched this film and it struck me that all but one of the seven musicians in the film had died.

At the time, I came up with the idea for that project, I really didn’t know why I wanted to shoot a project on these blues musicians – I just knew that I had to.  It’s not like I was a super avid blues fan.  I did love the music but I wasn’t one of those fans who could recite the “who’s who” in the blues world.  I was interested more in the cultural background of these men and their music. What gave birth to that music in that part of our country at that time in history?

I listened to the interviews of these men telling their stories about growing up as poor black men in the South during the 20’s and 30’s in America. Sam Carr talked about a time when a lot of the poor folks, up and left to get the good jobs in the North. I couldn’t help but feel the irony as I listened to Sam’s story and reflect back on our trip to Detroit this past winter. We were there to shoot our last and our only North American story for Opening Our Eyes. Those jobs that those poor folks headed North for – are gone. So are the neighborhoods they once called home – now just derelict ruins and vacant lots.  I wondered what the future would hold for the city of Detroit and for the growing numbers of unemployed in our country.

One thing did hit me though as I watched this film that I created so many years ago, and that that I had archived these stories for generations to come.  That made me feel good and proud and that in my own small way I had helped to preserve that legacy. That’s more meaningful to me than just about anything else I can think of doing in my life. I believe that this is my purpose – to tell the stories of our time.  That’s why I had to make The Delta Bluesmen – even though I had never done anything like that before.  It’s the same reason that I had to do Opening Our Eyes.  It took me a lifetime to realize my purpose and I am very grateful that I am able to fulfill it.

Before my daughter and I left for our 3-month odyssey around the world we got a lot of questions and remarks about our upcoming trip. Most men asked me what my husband thought about me taking off for 99 days and most of the women I told remarked that they would love to do something like this with their own daughters. Erin got consistent comments from her friends and colleagues – “You’re going on a trip with your mother for 3 months!!!”

When I was 23 years old, I probably would have reacted the same way so I feel quite fortunate that my daughter Erin was anxious to take on this journey and project with me. When originally planning this trip and documentary, I was planning on doing it solo. Now that we are about a month into our adventure, I can’t imagine doing this without Erin – but coming along, had to be her idea. I’m also very lucky that I have an understanding husband that knew this was something I needed to do and supported me in every way.

We are opposites in many ways. I’m extroverted – Erin’s introverted. I’m impulsive at times and ready just to jump into things, like a train in the Moscow Metro without knowing if it’s the right one, or take part in an impromptu gathering. Erin is more patient and accesses the situation before acting on it. I’m more flexible and if the situation warrants it, I’ll roll with the punches, while Erin gets a bit more stressed when things don’t always go according to plans. So, we complement each other – me providing a bit of adventure and Erin keeping us in check.

Erin navigated us around the Moscow Metro and I can honestly say, I have no idea how she did that. I put my trust in her and we never got lost. I pushed her out of her comfort zone a bit – in fact every time we walked through a market or bazaar, Erin was a good sport and wore a little video helmet cam

Erin with helmet camera in Spice Bazaar, Istanbul

and got a great insight into the experience and provided the viewer with the feeling of being there.

We’ve seen a lot of the world’s great landmarks, had a lot of laughs and some tears when we encountered problems in Belarus and have already collected a lifetime of memories with a lot more to come. We’ve approached our subjects from the eyes of two different generations and they’ve responded accordingly. In fact, I believe that our mother/ daughter approach to this documentary has been very advantageous as far as the rapport we’ve had with our subjects.

With two more months to go – so far so good – at least from my perspective and I hope Erin agrees. I know one thing – the day Erin sent me an email saying that she wanted to do this with me, has proven to be the best day ever. I can’t imagine doing this without her.