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Video – The Hard Part

by Gail Mooney
January 5 2012

Video – Our Subjects

by Gail Mooney
January 5 2012

Video – Making a Difference

by Gail Mooney
January 5 2012

Video – Memories From 99-Day Journey

by Gail Mooney
January 5 2012

2011 Annual Review

by Gail Mooney
December 29 2011

I tend to be a person who is always looking ahead, rather than looking back, but sometimes you can gain a lot of perspective by looking back and that can be critical for moving forward.  Chris Guillebeau writes an annual review in his blog  The Art of Non-Conformity and he suggests we do the same.  It’s a yearly assessment of how you feel your past year has been – noting both your accomplishments as well as your low points.  It helps you mentally prepare for how you want to live your life in the coming year.

Sometimes looking forward can seem overwhelming.  But when I look back at what I’ve accomplished, I get the confidence I need to move ahead. With that said, here’s a recap of 2011 for Opening Our Eyes:

  • Completed the film – That in itself was a triumph of accomplishment, but it took its toll.  Doing the rough edit consumed most of my winter.  I needed to cull through over 150 hours of footage, transcode it, add metadata, sort out the chaff, look at the b-roll and cut down the interviews to a 3 hour timeline.  It was grueling for me – 14 hour days – 7 days a week for almost 2 months but somehow I got through it  When spring arrived I handed the entire project to my editor, Erik Freeland who did a masterful job of editing the film.  We worked together, discussing the particular stories within the film and Erik brought those stories alive with how he cut them together. The first cut of the film was finished in July.

 

  • We were extremely fortunate to have gotten permission to use one of Jackson Browne’s song, Alive in the World for festival and community screenings.  Our executive producer, Angel Burns who came on board this year, made that happen – making another dream come true.  Jackson’s music and his social activism has always been an inspiration to me. I was able to personally thank him after seeing him in concert this fall.

 

  • Another beautiful person came into in my life, randomly.  Her name is Joyelle Brandt, she’s a singer, songwriter and an amazing artist.  Joyelle wrote a song called “One“.  She wrote to me on Facebook and told me about her song and how it delivered the same message as our film and that she would be happy to let us use the song in the film.  We did – it opens up the film and it’s like Joyelle wrote it specifically for the film.  We can’t thank you enough,  Joyelle.

 

  • Music is such a critical component of every film  – it is the emotional component and defines the moods and the pacing of the movie. Dominic Brook a hip hop artist from Australian not only appears in the film during the Oasis story, but sets the tone with his music throughout that segment.  Dominic is a kindred spirit in wanting to make a difference. He started Musicians Making a Difference and  has helped a lot of young people find themselves through music.

 

  • We were also fortunate to have digital artist Allan Davey come into our lives and design our beautiful “one sheet” as well as our DVD packaging.  Allan’s poster told the story of the film beautifully and really raised the bar as far as our “look.” We could never thank him enough for his talents.

 

  • Crowdfunding – About this time last year we were winding down our Kickstarter campaign.  We had about a week to go and I remember stressing if we would reach our goal of $7500.  With Kickstarter, if you don’t reach your goal – you get nothing so it was a very stressful time.  We ended up making our goal on Jan. 5, 2011.  Actually, we exceeded our goal and raised a little over $10,000.  I was able to pay my editor (who deserved much more) and give a bit to the subjects in the film.  Thanks to all our supporters we were able to finish the post production of our film, and that is huge.

 

  • We aren’t doing as well with our second campaign on IndieGoGo.  We still have a few days to go but we only realized 20% of our goal.  With IndieGoGo, you get whatever you have raised, regardless if you make your goal.  Maybe, our goal was unrealistic.  Maybe it’s harder to raise money for outreach, PR and distribution, but that’s probably the most critical part in filmmaking – to get the film seen.  But every dollar helps us defray the costs of pushing this out there and we are very grateful to all of our continued supporters.

 

  • Apart from the crowdfunding, the San Francisco Film Society is now our fiscal sponsor, so that means that we can accept tax deductible donations via their 501c3 status. That will also allow us to be eligible for some grants.  Does anyone know a good grantwriter who would like to come onboard?

 

  • Festivals – We have been invited to the San Luis Obispo Film Festival in early March and Cal Poly is our sponsor.  I’m looking forward to the festival and hope that our whole team will be able to be there as well. I did not get into Sundance or SlamdanceSundance had over 11,000 submissions and will be showing only 11 documentaries.  But I have printed out my “rejection email” as a reminder that I tried.  I will proudly join the other 99% who tried but didn’t make the cut.
    I hope there will be more invitations.  We shall see, but regardless of festival invitations, the power of this film will be in community screenings.

 

  • Sneak Previews – My dream came true when I saw this film on the “big screen” at the State Theater in Traverse City, Michigan.  It truly was a fantasy come true, to stand there with Erin and watch as they hand placed each letter of our names on the marquee that hot July night.  What made it even more special was to watch the film in such a beautiful venue with a lot of my family and friends in the audience.  My family made that one of the most memorable days of my life.  It was a day of sharing and connecting where all the circles came together.  I’ve had a couple other private screenings, and some have been with Erin which is great.  It’s always interesting to get live feedback.  Last month I showed the film to young Brazilians in Sao Paulo.  It was the first time that I got feedback from a non-American audience.  It was very well received and it confirmed in my mind that not only this film has a global reach, but that it really resonated with this “20 something” demographic.  That gives me great hope for the future.

 

  • Talks
    I’ve had quite a few speaking engagements this year but I think the one that stands out is the TEDx talk I did this month in Sao Paulo, Brazil.  It was an honor to be invited and I met some amazing young Brazilians who are doing some interesting things in their lives.  They are looking at the world through a different lens and to listen to them throughout the day was incredibly energizing.

 

  • PACA – I had a great time speaking at the Picture Archive Council of America.  I talked about the making of this film with a small crew and budget.  I talked about the possibilities for distribution in this day and age.  The ASPP American Society of Picture Professionals,  sponsored my talk and they may bring this talk to their chapters in 2012.

 

  • Grateful for our followers
    Without the support of our family, friends and virtual friends from all over the world – this would never have been possible.  Every time any one of you has commented or written an email – it has given us the energy and encouragement that we needed to keep going.  You have no idea how meaningful all of your comments have been. They’ve certainly helped me through some of the toughest times.

Going forward in 2012 – well that’s a whole other blog post.  But I do know that I need to devote more time to my business.  There are so many things I wish to do and only so many hours in the day.  But it helped to sort it out in my head, and in writing this recap. I realize that even though it seems like there’s so much to do – look how much we’ve done.

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Thinking of my Mom at Christmas

by Gail Mooney
December 23 2011

The last Christmas I spent with my mother was the Christmas of 2003. I didn’t know that would be our last Christmas together. She died very suddenly, less than two months later. I often wonder if I had known that Christmas was to be the last one that I’d spend with my mother, if I would have asked her the questions that I always wanted to ask. One thing I do remember about that Christmas was a moment during the evening when I caught a look in my mother’s face that I had seen before – a distant look where I felt as if she was somewhere else.

After my mother’s death, I learned a great deal about my mother – things I would have loved to have talked to her about. I was a perceptive and curious child, and there were always questions that I wanted to ask her, but I never did. I don’t know why. I could say that there was “never the right time” but I’ve grown to hate that expression or should I say excuse. I guess I was just too afraid.

I would not have been able to take the journey around the world with my daughter Erin and make this film if it hadn’t been for my mother. That’s why the name of the production company is Nola Productions, Nola was my mother’s name. When she died, she left me a bit of money and that helped finance Opening Our Eyes. That and airline miles, hotel points, crowd-funding and lots of help from my friends. But my mother gave me something even more important than money, that made this film happen. She gave me, belief in myself and compassion for others. If it hadn’t have been for my mom, I wouldn’t have had the desire to make a film that delivers the message, that we can all make a difference in how we choose to live our lives. And she always told me to believe in myself and my dreams and that anything was possible.

If you were to ask me (and many have) what was the best part of the trip – I’d would tell you that ii was spending time with my daughter. We not only explored the world together – we got to know each other as people – beyond the mother/daughter relationship. We’ll both remember the amazing places we went to and the extraordinary people that we met, but I think the memories that will linger the longest will be the conversations that we had along the way. We both asked the questions that we had been wanting to ask and shared the stories that we needed to share. Ultimately we “took the time” to get to know one another.

When I tell women about this trip and what I did with my daughter – they always say one of two things – or both – “Oh I would love to do that with my daughter” or “ I wish I had gotten to know my mother better”. I’m grateful that I had this time with my daughter and I know my mom was with us all the way. We couldn’t have done it without her.

Have a Merry Christmas everyone.

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Finding Your Bliss and Your Purpose

by Gail Mooney
December 22 2011

Last spring, my daughter and I set out to circle the globe on a 99-day journey, seeking people who were making a difference in the world.  A little more than a year later, we have completed a feature documentary about ordinary people on six continents who have not only had a positive impact on others, but they have had life changing experiences themselves.

This journey and the film were inspired by a

Maggie Doyne with her children at Kopila Valley Childrens Home, Nepal

young woman that my daughter had gone to high school with, Maggie Doyne,  At 19-years old, Maggie opted not to go straight off to college, but instead traveled on what was intended to be a gap year between high school and college.  Five years later, at the age of 24, she has built a home in Nepal for 35 orphaned children, where she now resides and had recently finished construction on a primary school for 250 children when we visited her last summer..

Maggie has caught the attention of quite a few high profile people who have helped her in her mission.  Last fall she appeared on the cover of the NY Times Magazine illustrating an article by Nicholas Kristof about DIY foreign aid.  She’s a remarkable young woman.  But what is often overlooked when one mentions Maggie’s accomplishments is that she herself, has changed her life’s path – before barely beginning.

Maggie is just one of eleven people that appear in our film, Opening Our Eyes.  As we traveled the world, my daughter and I quickly realized that all of these extraordinary people had one thing in common, beyond doing good for others.  They all had disrupted their own lives and had shifted course.  They had discovered their purpose and in the process, found their bliss.

Maggie is fortunate that she made this discovery while she was still young.  In a less dramatic way, I had my own awakening early in my career.  In the late 70’s, I had just finished studying photography at Brooks Institute in Santa Barbara, California and I headed back East to pursue a career as a photojournalist. It was not the best of times to be starting out as a photojournalist, at least in terms of being able to make a decent living.  So, I took a bit of a detour and pursued commercial photography instead.  While making the rounds with my portfolio in NYC, I went to see legendary photographer Jay Maisel. Jay was known for his blunt demeanor, and when he looked at my perfectly presented photographic portfolio, he tossed it at me and told me it was garbage.  He asked me if I had anything else to show him.  I took out my dog-eared photos from my first world journey that I had taken before heading to Brooks. As he looked through my “snapshots” he asked me how old I was.  I replied that I was 25 years old.  He looked me straight in the eye and said, “You’re 25 and you’re already making compromises?” That was a turning point in my life and I never looked back from pursuing my passion.

I suppose Maggie and I are lucky in that we discovered our purpose at such a young age.  But in making this film I learned one important thing – it’s never too late to find your bliss.

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How a Film Can Make a Difference

by Gail Mooney
December 10 2011

I never fully realized the power that is within me to make a difference, until recently.  Last summer, my daughter and I spent time with extraordinary people who were providing homes for orphans, feeding the hungry and curing the ill.  They were all people we met while making a documentary about the change makers in our world – people who are making our planet a better place.

Our goal was to inspire and motivate others as to what they can do to make a difference in their own communities. Our goal was to cause a shift, in culture and in thought – from “what in it for me?” to “what can I do?” We’ve just begun to submit this documentary to film festivals and show sneak previews to small audiences but I can already tell that this film has affected change and the potential it has to move people to action.

From our first sneak preview at the beautiful State Theater in Traverse City, MI to a recent screening at MIS in Sao Paulo, Brazil, I feel the energy in the room and the collective desire to strive for a better world.  I feel the power of film and the power within me as a storyteller and filmmaker. I feel the time for this film is now and that people are hungry for hope.

Many documentaries take the critical point of view and certainly have more conflict. Opening Our Eyes is different from other docs in that it shines a light on what IS being done to create positive change by individuals all over the world.  Somehow by showing the small acts, this film makes all of us believe that we can create change as well. It empowers us to believe in the possibilities and gives us the hope we seem to be yearning for these days.

When I first conceived of the idea for this film, inspired by friend and neighbor Maggie Doyne, I was looking for some positive hope myself.  I was tired of listening to the hundreds of “experts” on TV talking and all of them needing to be “right” – and nothing was getting any better. That was long before the Arab Spring and the Occupy movements. What I was sensing was the rest of the world was feeling the same way I was and decided to do something about it.

Time will tell if the film continues to create awareness and moves people to action, but at least I’m hopeful again.

Please consider supporting our effort by making a contribution to our IndieGoGo campaign, which only has a few weeks, left to go. And it’s tax deductible.

We can’t do it without your help.

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TEDx, Kindred Spirits and Spreading Good Ideas

by Gail Mooney
December 6 2011

I’ve had an amazing week. I’ve been in Sao Paulo, Brazil for the last few days to do a TEDx talk and to screen Opening Our Eyes. It has been a remarkable time, in many ways.

As I listened to the many speakers of the day, talking about what they were doing in their life and in turn affecting other people’s lives, I couldn’t help but feel the common bond amongst this group. They were all thinking beyond themselves and that in itself was not only energizing but gave me great hope for the future. Most of the speakers were young – and it brought me back to when I was their age, so full of hope and believing that I could change the world. I suppose I am in the minority of people of my generation, because I’ve managed to hold on to those beliefs. If I hadn’t, I never would have embarked on this journey that I started with my daughter, almost two years ago.

Yesterday evening I screened the film for many of the same people that had attended the TEDx conference. While I may be from a different generation and cultural background – we were kindred spirits in our beliefs, and our concern for others and the planet that we live on. It was the first time that I showed the film outside the United States and even though that was part of our dream – to take this film globally – I wasn’t quite sure how it would be received. But during the Q&A, I realized what I had probably known all along – that no matter how different our cultures may be in so many ways – we had the common bonds of what connects all humanity. We all need food and shelter and the obvious needs of life – but there is something more that all humans need – the need to love and be loved. The need to know that someone cares.

I think sometimes we forget that basic human desire, overcome by our drive to be successful – sometimes thinking that someone surely has to lose in order for us to win. Last night someone asked me “Has your life changed since making this film?” I’ve had half a dozen screenings in the US and I think this was the first time that I was asked this question. I didn’t have to think much to answer the question, and I said “yes – I have changed mostly in what I place importance on in my life. The little things that used to bother me a great deal, don’t seem to matter anymore in the big picture of life.”

I’ve been thinking about that a lot this morning and I think that even though my outlook has changed, I still basically remain the same person I have always been – meaning my fundamental character. I think what has really changed is that I’ve recognized the person who I have always been – and stopped living the dogma that others believe in.

The funny thing is, the people who are in my life now, tell me how young and energetic I look and how happy and content I appear. I think what they see is what I am feeling on the inside. I also think that because of that, I am attracting people who are meant to be in my life. I’m no longer concerned about people who I thought I wanted or needed in my life, but might not have felt the same way. I only wish that I had learned this a long time ago. But as many of the wonderful people who appear in our film told us “there is a time for everything.” Thank you to all the beautiful people in Sao Paulo who have made this a very special and memorable experience. Our hearts will remain connected even though the miles may separate us.

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San Francisco Film Society – Our New Fiscal Sponsor

by Gail Mooney
November 18 2011

I just received some fabulous news. That is that the San Francisco Film Society has agreed to be a fiscal sponsor for Opening Our Eyes. This is huge because it means that we can apply for grants and accept donations under their 501C umbrella. I would be remiss if I did not thank my husband, partner and best friend, Tom Kelly for filling out the application and providing the reams of necessary documents. He really came through for us and I can’t thank him enough.

It’s been very challenging,  raising money for film festival entries, setting up theatrical screenings and promoting the film. But what would be the point of our team’s tremendous efforts in making this film if it ends up being the best kept secret?

I truly hope that this this sponsorship and 501C status will encourage individuals, institutions and corporations to donate to Opening Our Eyes so that we may realize our goal and inspire and motivate others as to what they can do to make our world a better place.

The San Francisco Film Society is one of the oldest and most respected film groups in the United States and to get this distinction is truly an honor. We have been so blessed by so many people who have believed in our project and have either contributed money, their expertise or both. I can’t even begin to express how meaningful this experience has been and how it has changed my life in so many ways. Quite simply it has given me hope – at a time when there is much hopelessness and despair.

Please help us  get this film out there. If you are involved with foundations or work at corporations that give, please pass along the link to our project. You never know what may transpire and hopefully this has made things a bit easier. All donations are tax deductible.

Every one of our subjects and their causes will win if this film gets noticed globally. It is off to a good start with the trailer being seen in over 114 countries – but we have a lot of work ahead. I can do a lot of things on my own – and have – but I need everybody’s help on this one.

It’s not just a movie, it’s a movement.

3 Ways to Donate:
Through IndieGoGo – get a reward
Through the San Francisco Film Society online
Checks: Payable to San Francisco Film Society
    Write Opening Our Eyes FSP 1378 in Memo Line
Send to:
San Francisco Film Society – ATTN: Finance Department
39 Mesa Street, Suite 110
The Presidio
San Francisco CA 94129-1025

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